Bo Senior and Bo Junior

 This is Bo Senior and baby Bo Jr.  We see representations of maternal love consistently throughout art history, but paternal love between a father and his son is more rarely depicted.  I was deeply moved by this commission.  16x20 Colored pencil on Rives BFK.     

Ephesia

 16x20 Acrylic and Watercolor on Panel.  Ephesia is a part of an indigenous tribe in the Brazilian Amazon.  The international beef industry is the leading contributor to deforestation in this area.  Some American companies benefit from this industry, mostly in terms of the leather.  Some American corporations that benefit from Brazilian leather are Nike, Adidas, Timberland, Clarks, and Reebok.  There are many more.

I will be joining the resident artists at the Creative Alliance in August 2014

http://www.creativealliance.org/

Embera sketch

This is the sketch for one of the eight new pieces in my Amazon Women series I've been working on while a Resident at the New York League of Art Students Vytlacil Campus.  Her name is Embera and she looks on in disbelief at hectares of razed jungle she once called her home.  In the distance atop a hill she is watched by the demon of industry mounted proudly upon his Nelore bull.  Seven football fields of rainforest have been burnt today so the world may have its burger.  There has got to be some other way. 

The Amazonian Indians

This is Penthesilia the first of many paintings I will be doing addressing the fate of the Amazonian Indians.  The girl's tribe is the Karajá and like many of the indigenous peoples of Amazonia their livelihood is in danger.  Her home is burned by cattle farmers who would see the rainforest in ashes for a cow.  But there is another enemy that could prove more destructive.  It is the large South American engineering company Electronorte, which has made plans to create a dam that would place her territory under 40 feet of water.

The Karajá do not paint lightning bolts on their face.  I adapted the symbols on her cheeks to mimic the logo of Electronorte (www.electronorte.com)  She is marked for extinction.  The goal of this piece was to express as strongly as possible the feeling of sadness and anger that one feels when their home and traditional way of life is taken from them by a distant economic machine.  I've seen artists who wear a similar expression.  16x20 acrylic on linen.

Legba and Adjessi

24x48, oil and acrylic on canvas.  This is a piece I created for my friend Lisa Kang over the course of last year.  The left half of this painting is derived from a sketch I made at her house of some potted plants.  The colorful area toward the center hides an abstracted version of the Haitian voodoo symbol for Papa Legba.  Legba is perhaps the most important voodoo god because he must be acknowledged first at ceremonies.  He is the operator that must be called before conversations with other gods can occur.  He is the cross road between mortals and deities.

Legba's wife is much more obscure and secretive in nature.  Her name is Adjessi and I know almost nothing about her except that she often stands at his side and helps support Legba who hobbles with a walking stick.  This piece marks the beginning of a trend in my work I plainly call Hipster Tribalism.  More to come...

The Pomegranate Tree

This is a painting I made for Aunt Leslie, my best friend Adam Petty's aunt.  There is a pomegranate in this picture because that is my favorite food and I'm Iranian.

Representational

Pomegranate is my favorite treat.  This is all about boasting that I can render.  The void on the right represents how this piece is void of deeper meaning.